Plus on parle, plus les mots ne veulent rien dire

surmise-en-scene:

Then and Now.

Edith Scob in Georges Franju’s classic Eyes Without a Face (1960) and a stunning reprisal in Leos Carax’ Holy Motors (2012)

earthdad:

going on Facebook is rough because its just a bunch of old memes and a reminder that people are still racist in 2016